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We wish you a beautiful season 2023-2024 !

We are very happy to share with you the upcoming news of our artists :

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The Opéra de Clermont-Ferrand continues to tour its new production of Die Entführung aus dem Serail, directed by Laurent Serrano and conducted by Adrien Ramon.

Caroline Jestaedt will again be the charming Blondchen.

2 and 3 March in Versailles : https://www.theatremontansier.com/event/lenlevement-au-serail-2/

15 March in Saint-Quentin : https://billetterie.saint-quentin.fr/spectacle?id_spectacle=2716&lng=1

 

 

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Les Grandes Voix and the Théâtre des Champs-Elysées join together to propose a concert version of Les Pêcheurs de perles, under the baton of Lorenzo Passerini.

Matthieu Lécroart will once again sing the role of Nourabad.

4 March : https://www.theatrechampselysees.fr/saison-2023-2024/opera-en-concert-et-oratorio/les-pecheurs-de-perles

 

 

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The Toulon Opera is embarking on a revival of Pierre Audi’s magnificent production of Orphée et Eurydice, conducted by Jean-Christophe Spinosi.

Sahy Ratia will sing the role of Orphée for the first time, an important moment in her career.

6, 8 and 10 March at the Théâtre Liberté : https://www.operadetoulon.fr/spectacles/opera-orphee-et-eurydice/545.htm

 

 

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Opéra Eclaté continues to tour its production of Cosi fan tutte, directed by Eric Perez and conducted by Gaspard Brécourt.

Blaise Rantoanina will be Ferrando.

10 March in Saint-Germain-en-Laye : https://opera-eclate.com/spectacle/cosi-fan-tutte/

 

 

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The Opéra National de Lyon presents a new production of La Fanciulla del West, directed by Tatjana Gürbaca and conducted by Daniele Rustioni.

Alongside a brilliant cast, Florent Karrer will sing the role of Happy.

15, 20, 23, 26, 28 and 31 March and 2 April : https://www.opera-lyon.com/fr/programmation/saison-2023-2024/opera/la-fille-du-far-west

 

 

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The Compagnie Sandrine Anglade continues to tour its adaptation of Carmen entitled Un piano dans la montagne, directed by Sandrine Anglade and conducted by Nikola Takov and Benjamin Laurent.

Blaise Rantoanina will once again slip into the role of Don José.

15 March in Bourg-en-Bresse : https://www.compagniesandrineanglade.com/spectacles-un-piano-dans-la-montagne-carmen

 

 

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The Staatsoper Hamburg is premiering its new production of Il Trovatore, directed by Immo Karaman and conducted by Giampaolo Bisanti.

Aleksei Isaev will be the Conte di Luna, a role in which he achieved great success at Covent Garden last season.

17, 20, 23, 26 and 30 March, then 3 and 7 April 2024 : https://www.staatsoper-hamburg.de/en/schedule/event.php?AuffNr=196414#pagenav

 

 

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The Opéra de Saint-Etienne welcomes Jérôme Boutillier for a self-accompanied performance of Schubert’s Winterreise, allowing him to combine his talents as a singer and pianist.

20 March at the Théâtre Copeau : https://opera.saint-etienne.fr/otse/saison-23-24/spectacles//type-piano/jerome-boutillier/s-767/

 

 

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The Theater Erfurt is embarking on a new production of Das Rheingold, directed by Jürgen R. Weber and conducted by Pedro Halffter.

Rose Naggar-Tremblay will make her debut as Erda.

23 March : https://www.theater-erfurt.de/stuecke/das-rheingold

 

 

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The Opéra de Monte-Carlo presents a new production of La Fille du Régiment, directed by Jean-Louis Grinda and conducted by Ion Marin.

Marie Gautrot will make her debut in the role of the Marquise de Berkenfield

 
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The Opéra de Monte-Carlo presents a new production of La Fille du Régiment, directed by Jean-Louis Grinda and conducted by Ion Marin.

… while Jean-François Vinciguerra slips into the colorful dress of the Duchess of Crakentorp.

24, 26, 28 and 30 March : https://www.opera.mc/fr/saisons/23-24/la-fille-du-regiment

 

 

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The Easter Festival in Aix-en-Provence welcomes the Musiciens du Louvre for an exciting version of Handel’s La Resurrezione, conducted by Marc Minkowski.

Caroline Jestaedt will sing the virtuoso part of the Angel.

26 March at the Grand Théâtre de Provence : https://festivalpaques.com/editions/edition-2024/haendel-la-resurrection

 

 

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The Theater Basel continues performances of its new production of Carmen, directed by Constanza Macras and conducted by Thomas Wise and Maxime Pascal.

Charlotte Bonnet will sing Micaëla for the first time.

26 March : https://www.theater-basel.ch/fr/carmen

 

 

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Insula Orchestra celebrates Bach at La Seine Musicale with a programme of motets and cantatas, conducted by Laurence Equilbey.

Rose Naggar-Tremblay will sing the contralto part.

28 and 29 March at the Patrick Devedjian Auditorium : https://www.insulaorchestra.fr/evenement/bach-de-labime-a-la-lumiere/

 

The agency Adagio Artists is proud to welcome the following artists :

 

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Amadi Lagha, Franco-Tunisian tenor : at the pinnacle of a great international career, blessed with a generous voice and solar high notes, he has triumphed at the Arena di Verona with Don José (Carmen).

He regularly sings Calaf (Turandot), his signature role, in numerous theatres including Savonlinna (where he encored three times “Nessun dorma”, a first in the festival’s history), Marseille, Shanghai, Valencia, and Torre del Lago. He was also Radames (Aida) and Mario Cavardossi (Tosca) in Montpellier, and Don Alvaro (La Forza del Destino) at the Capitole in Toulouse.

He just triumphed as Rodolfo (La Bohème) at the Metz Opera.

His next engagements include Dick Johnson (La Fanciulla del West) at the Teatro Regio in Turin and Calaf at La Monnaie in Brussels.

 

 

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Venera Gimadieva, soprano born in Kazan and trained in Russia : she was revealed to the general public at the Glyndebourne Festival as Violetta (La Traviata), which quickly opened the doors to major international houses such as the Paris Opera and Covent Garden.

With Lucia (Lucia di Lammermoor), Elvira (I Puritani) and the Queen of Chemakha (The Golden Cockerel), her other signature roles, she sang in Madrid, Munich, Dresden, Brussels, Vienna…

Recently, she sang Donna Anna (Don Giovanni) in Glyndebourne.

As her voice develops, she gradually turns towards a more lyrical repertoire, soon singing Liù (Turandot) for the first time at La Monnaie in Brussels.

 

 

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Svetlana Kasyan, Georgian lirico-spinto soprano : she received great appraisal as Aida at the Arena di Verona, Tosca at la Fenice in Venice and at the Teatro dell’Opera in Rome, Manon Lescaut and Elisabetta (Don Carlo) at the Teatro Regio di Torino, as well as Cio-Cio San (Madama Butterfly) at la Fenice.

Recently, she sang again Tosca in Belfast.

 

 

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Christophe Berry, French tenor who is now focusing on “strong tenor” roles.

His rich career has included roles as Gérald (Lakmé) in Cairo, Lausanne and Santiago de Chile, the Chevalier de la Force (Dialogues des Carmélites) and the Duke of Mantua (Rigoletto) in Tours, and Fortunio in Limoges and Rennes.

He recently played Faust (La Damnation de Faust) in Erfurt, as well as Alfred (The Bat) and Don Alvar (L’Africaine) in Marseille.

 

 

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Marie Gautrot, French mezzo-soprano who now sings the dramatic repertoire.

During her career, she performed Carmen in Grenoble, Poissy and Lyon, Marguerite (La Damnation de Faust) at the Théâtre du Châtelet and in Rouen, the Mother’s Voice (Les Contes d’Hoffmann) in Tokyo and Lyon, Hedwig (Les Fées du Rhin by Offenbach) in Tours and Bienne-Soleure, as well as Giovanna (Rigoletto) and Emilia (Otello) at the Paris Opera.

Recently, she had a huge success with Dalila (Samson et Dalila) in Avignon, after having been Fenena (Nabucco) in Marseille and the Nun (La Nonne sanglante by Gounod) in Saint-Etienne.

 

 

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Annouk Jobic, a young French mezzo-soprano who recently graduated with distinction from the CNSM in Lyon.
 
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