Graduated from the National Paris Conservatory, ADAMI’s Classical Revelation, Matthieu Lécroart performs on prestigious theaters and concert venues, in France and abroad (London, Brussels, Geneva, Madrid, Vienna, Budapest, Berlin, Delhi, Shanghai, Tokyo, Chicago, New York…).
His vast and varied repertoire includes the parts of Rigoletto, Germont (La Traviata), Figaro (The Barber of Seville), Narciso (Il Turco in Italia), Don Giovanni and Leporello (Don Giovanni), Figaro and Bartolo (Le Nozze di Figaro), Don Alfonso (Così fan tutte), Papageno and Sprecher (Die Zauberflöte) Valentin (Faust), Escamillo (Carmen), Athanaël (Thaïs), Golaud (Pelleas and Melisande), Mephistopheles (The Damnation of Faust) …
Last seasons, he played Don Diègue during the revival of (Chimène ou Le Cid by Sacchini) on tour with ARCAL, as well as King Hilpéric (Frédégonde by Saint-Saëns) at the Ho Chi Minh City Opera (Vietnam) under the baton of Patrick Souillot. He sang also the title role of Raoul (Barbe-Bleue by Grétry) at the Trondheim Baroque Festival (Norway) and the roles of Thierry, Javelinot and the Jailer in (Dialogues of the Carmelites) at the Théâtre des Champs-Elysées, in Caen and Bologna, as well as Célestin and Floridor in (Mam’zelle Nitouche by Hervé) in Tours and Toulouse. He was also Don Fabrice (Maître Péronilla by Offenbach) at the Théâtre des Champs-Elysées with the Palazzetto Bru Zane, before singing Gewihr (Fervaal by d’Indy) at the Montpellier Festival in 2019.
In 2019-2020, he played Antonio in the new production of Le Nozze di Figaro by David Gray at the Théâtre des Champs-Elysées, as well as the Speaker (Die Zauberflöte) in Avignon and Versailles, and Publio (La Clemenza di Tito) at the Liceu of Barcelona.
Recently, he sang Zuniga (Carmen) in Monte-Carlo, the King V’lan (Offenbach’s Le Voyage dans la Lune) in Nice, Limoges, Vichy, Clermont-Ferrand, Compiègne, Rouen, Massy, Metz, Reims, Avignon and Neuchâtel, Sciarrone (Tosca) in Lille and Antonio in Luxembourg, Versailles and, under the baton of Gustavo Dudamel, at the Paris Opera. He was also Larivaudière (La Fille de Madame Angot), Lord Rocheford (Anna Bolena) and Géralde/Jupiter (Ariane et Bacchus by Marin Marais) at the Théâtre des Champs-Elysées, as well as Agoragine and the Herald (Phryné by Saint-Saëns) at the Opéra Comique, Capulet (Roméo et Juliette) in Grenoble and Gudleik (Hulda by César Franck) with the Palazzetto Bru Zane in Liège, Namur and at the Théâtre des Champs-Elysées.
He also sang the roles of Agoragine and the Herald (Phryné by Saint-Saëns) at the Opéra Comique, Capulet (Roméo et Juliette) in Grenoble, and Gudleik (Hulda by César Franck) with the Palazzetto Bru Zane in Liège, Namur and at the Théâtre des Champs-Elysées. He achieved a great success singing the role of Pandolfe (Cendrillon by Massenet) for the first time at the Opéra de Limoges.
His projects include the Gamekeeper and the Hunter (Rusalka) in Metz and Reims, Larivaudière at the Opéra Comique, Nice and Avignon, D’Estillac (The Merry Widow in French) in Marseille, Nourabad (Les Pêcheurs de perles) in Bordeaux and at the Théâtre des Champs-Elysées, as well as the Chambellan (The Nightingale by Stravinsky) and the Theatre director (Les Mamelles de Tirésias by Poulenc) in Nice.