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Graduated from the National Paris Conservatory, ADAMI’s Classical Revelation, Matthieu Lécroart performs on prestigious theaters and concert venues, in France and abroad (London, Brussels, Geneva, Madrid, Vienna, Budapest, Berlin, Delhi, Shanghai, Tokyo, Chicago, New York…).

His vast and varied repertoire includes the parts of RigolettoGermont (La Traviata), Figaro (The Barber of Seville), Narciso (Il Turco in Italia), Don Giovanni and Leporello (Don Giovanni), Figaro and Bartolo (Le Nozze di Figaro), Don Alfonso (Così fan tutte), Papageno and Sprecher (Die ZauberflöteValentin (Faust), Escamillo (Carmen), Athanaël (Thaïs), Golaud (Pelleas and Melisande), Mephistopheles (The Damnation of Faust) …

He recently played Don Diègue during the revival of Chimène ou Le Cid from Sacchini on tour with ARCAL, as well as King Hilpéric in Frédégonde (Saint-Saëns) at the Ho Chi Minh City Opera (Vietnam) under the baton of Patrick Souillot. He sang also the title role of Raoul (Barbe-Bleue by Grétry) at the Trondheim Baroque Festival (Norway) and the roles of ThierryJavelinot and the Jailer in the Dialogues of the Carmelites at the Théâtre des Champs-Elysées, in Caen and Bologna. He obtained also a great success with the roles of Célestin and Floridor in Hervé’s Mam’zelle Nitouche in Tours and Toulouse.

Recently, he was Don Fabrice in Offenbach’s Maître Péronilla at the Théâtre des Champs-Elysées with the Palazzetto Bru Zane, before singing Gewihr in d’Indy’s Fervaal at the Montpellier Festival.

Last, he played Antonio in the new production of Le Nozze di Figaro by David Gray at the Théâtre des Champs-Elysées, as well as the Speaker (Die Zauberflöte) in Avignon and Versailles, and Publio (La Clemenza di Tito) at the Liceu of Barcelona.

Recently, he sang Zuniga (Carmen) in Monte-Carlo, the King V’lan (Offenbach’s Le Voyage dans la Lune) in Montpellier, Nice, Limoges, Vichy, Clermont-Ferrand and Compiègne, Sciarrone (Tosca) in Lille and Antonio in Luxembourg, Versailles and, under the baton of Gustavo Dudamel, at the Paris Opera. He was also Larivaudière (La Fille de Madame Angot)Lord Rocheford (Anna Bolena) and Géralde/Jupiter (Ariane et Bacchus by Marin Marais) at the Théâtre des Champs-Elysées, as well as Agoragine and the Herald (Phryné by Saint-Saëns) at the Opéra Comique, Capulet (Roméo et Juliette) in Grenoble and Gudleik (Hulda by César Franck) with the Palazzetto Bru Zane in Liège, Namur and at the Théâtre des Champs-Elysées.

Next season, he will be again the King V’lan in Rouen, Massy, Metz, Reims, Avignon and Neuchâtel, as well as the Speaker in Versailles. He will also sing his first Pandolfe (Cendrillon by Massenet) at the Limoges Opera.