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Born into a family of composers, instrumentalists and singers, Charlotte Bonnet began her musical studies at the Conservatoire de l’Aveyron in central France.

In 2015, while studying musicology in Toulouse, she obtained her singing prize, with honours, at the Montauban Conservatory and won numerous competitions in France (Béziers, Marmande, Marseille, Arles).

On stage, she made her debut at the age of 20 with the role of Belinda (Dido and Aeneas), then she sang Rosine in a French version of The Barber of Seville, as well as Frasquita (Carmen), Annina and Flora (La Traviata).

Familiar with the light repertoire, she has also performed leading roles such as Clairette (La Fille de Madame Angot), Véronique, Nadia (La Veuve Joyeuse), Violetta (Violettes Impériales), Wanda (La Grande Duchesse de Gérolstein), Germaine (Les Cloches de Corneville), Lady Mary (Monsieur Beaucaire). She was also Ernestine (Poil de Carotte) at the Montpellier Opera.

Recently, she played the First Niece (Peter Grimes) at the Opéra Grand Avignon and returned to the Théâtre de l’Odéon for Véronique. She also made her debut at the Paris Opera with the role of Noémie (Cendrillon by Massenet).

She won the Second Opera Prize at the Capri International Competition (Italy), was a finalist in the Vinceró International Competition (Naples) and won the Second Opera Prize at the Georges Enesco International Competition in Paris.

Her projects include Miss Rose (Lakmé) at the Monaco Opera and the Théâtre des Champs-Élysées, Anna (La Nonne Sanglante by Gounod) at the Saint-Etienne Opera, and Zerlina (Don Giovanni) at the Sanxay Festival. She will also perform in a show based on The Barber of Seville and The Marriage of Figaro at the Opéra de Reims.