Born into a family of composers, instrumentalists and singers, Charlotte Bonnet began her musical studies at the Conservatoire de l’Aveyron in central France.
In 2015, while studying musicology in Toulouse, she obtained her singing prize, with honours, at the Montauban Conservatory and won numerous competitions in France (Béziers, Marmande, Marseille, Arles).
On stage, she made her debut at the age of 20 with the role of Belinda (Dido and Aeneas), then she sang Rosine in a French version of The Barber of Seville, as well as Frasquita (Carmen), Annina and Flora (La Traviata).
Familiar with the light repertoire, she has also performed leading roles such as Clairette (La Fille de Madame Angot), Véronique, Nadia (La Veuve Joyeuse), Violetta (Violettes Impériales), Wanda (La Grande Duchesse de Gérolstein), Germaine (Les Cloches de Corneville), Lady Mary (Monsieur Beaucaire). She was also Ernestine (Poil de Carotte) at the Montpellier Opera.
Last season, she played the First Niece (Peter Grimes) at the Opéra Grand Avignon and returned to the Théâtre de l’Odéon for Véronique. She also made her debut at the Paris Opera with the role of Noémie (Cendrillon by Massenet).
She won the Second Opera Prize at the Capri International Competition (Italy), was a finalist in the Vinceró International Competition (Naples) and won the Second Opera Prize at the Georges Enesco International Competition in Paris.
Recently, she sang Miss Rose (Lakmé) at the Monte-Carlo Opera and the Théâtre des Champs-Élysées, as well as Anna (La Nonne Sanglante by Gounod) at the Saint-Etienne Opera and Zerlina (Don Giovanni) at the Sanxay Festival.
Her projects include Pamina (Die Zauberflöte) and Musetta (La Bohème) at the Avignon Opera, Hilda (Sigurd by Reyer) at the Marseille Opera and Frasquita at the Nice Opera, as well as the 2024 New Year’s Eve concerts at the Montpellier Opera.